SEA HORSES
Guard this stone that prisons me,
For if it should be cast away,
Then I shall come from surging sea
And turn your world to stormy grey…
Tamzin has come to stay with her artist Nan in Cornwall. When she first explores the house, in its valley above the beach, the last room she comes to is Nan's studio. And here she finds something very strange and intriguing…
Nan's studio was full of canvases, tubes of paint, rags and bottles — all
the clutter of an artist’s workplace. Tamzin moved slowly round the
room, looking at everything but being careful not to touch. In one corner
stood a tall cupboard with a glass door. She paused in front of it, to see
what was inside—
And stopped.
On a shelf
in the cupboard, roughly level with her eyes, was a little statue of a horse.
It seemed to be made of a kind of rough stone, and in the shadows away from
the ceiling light its colour looked granite grey. The horse was rearing high
and, though it was quite crudely carved, it somehow seemed so realistic that
Tamzin shuddered. Everything about it was angry, from its stiff mane
and tail to its teeth, which were bared in a ferocious challenge. Chips of
red stone had been set into the skull to make its eyes, and they glittered
in the gloom with a strange, cruel light of their own.
Tamzin stood
motionless, staring. The statue fascinated her, yet at the same time there
was something frightening and horrible about it. Part of her wanted to run
out of the room and never look at it again. Another part, though, was urging
her to open the cupboard door, reach in and pick the statue up. It was as if
the angry little horse was calling to her, hypnotising her.
`Tamzin?’
Tamzin spun
round as the spell shattered. She felt strangely guilty when she saw Nan standing
in the doorway, and, confused, she babbled, `I’m sorry! I was only looking,
I wasn’t going to touch it!’
`Touch what?’ said
Nan.
Tamzin gulped.
`The statue. The one of the rearing horse.‘
`Oh,’ said
Nan. `You’ve seen that, have you?’
Tamzin nodded.
`It’s... creepy,’ she said.
`It’s
that, all right.’ Nan’s face was suddenly grim. `And it’s
very old. It’s been in the family for centuries. I keep it there out
of the way because...’ She hesitated, and Tamzin ventured,
`Because
it’s so valuable?’
`Yes,’ Nan
agreed quickly. `Yes, that’s it. It’s very valuable, and it mustn’t
get broken. So I want you to promise me that you won’t touch it.’
Tamzin nodded.
`I promise.’
`Cross your
heart?’
Tamzin was
surprised. Adults didn’t usually say things like that. But from the look
on Nan’s face it was clear that a simple `promise’ wasn’t
enough. She was waiting, and uneasily Tamzin nodded again. `Cross my heart,’ she
repeated solemnly.
`Good.’ Nan
looked relieved. `Well, it’s getting late; time you were in bed.’
Suddenly
Tamzin knew that what she’d said about the statue wasn’t the whole
truth. There was another reason why the little horse was kept out of the way,
and Nan didn’t want Tamzin to know what that reason was. But Tamzin wanted to
know. She wanted it very badly, and she started to say, `Nan, why is the statue—'
Nan interrupted.
`Never mind that now, dear.’ Her words were kind enough, but her voice
was sharp. `I said it’s bedtime. Come along.’
She hurried
Tamzin out of the room and shut the door very firmly. As they walked away,
Tamzin looked back. She felt uneasy, and she didn’t know why.
But she
didn’t like the feeling at all.
***
In bed that night, Tamzin couldn’t stop thinking about the little stone
figure. Why had Nan made her promise not to touch it? She wasn’t
going to break it; shewas old enough to be responsible, and much too careful
to do anything silly. It was insulting. What right did Nan have to
tell her what she could and couldn’t do? If she wanted to touch the
statue, why shouldn’t she?
If Tamzin
had been thinking clearly, she would have realised that it wasn’t at
all like her to get so angry about such a petty thing. Somehow, though, it
didn’t occur to her that there was anything strange about the feeling.
And the last thought she had before she fell asleep was:
I’ll
touch it if I want to. I will. I will.
***
She woke in the morning to the sound of gulls screaming as they wheeled
above the house and along the valley. The day was bright with a brisk wind,
the air smelled fresh and salty, and from the garden it was just possible
to hear the sea. Even Nan's black cat, Baggins, was friendly and purred at
her. But Tamzin hardly noticed all these things. She was thinking about the
little stone horse.
`I’m
going to the village soon,' Nan said after breakfast. 'Would you like to come?’
Tamzin’s
heart gave a strange, eager skip. `Um... do you mind if I don’t?’ she
said.
`Of course
not. Tomorrow, maybe.’
Tamzin almost
ran upstairs, and when she reached her room she shut the door and sat down
on the bed. She felt breathless and excited. Nan was going out, which meant
that she would have the house to herself for a while.
And down
below in the studio, the little stone horse was luring her...
Nan left
a few minutes later. Tamzin waited until the noise of her little car had died
away in the distance, then she ventured into the hall. Her heart was jumping
like a grasshopper, and she had a strong urge to go on tiptoe. How silly — there
was no one to hear her. Yet she couldn’t shake off the feeling that another,
unseen presence was in the house, following invisibly in her footsteps.
In the hall,
the sense of being watched was so strong that she looked back over her shoulder.
But it was just her imagination, of course. There was no one there.
She hurried
to Nan’s studio. The curtains were pulled back and the view was wonderful,
but Tamzin ignored it. She went to the corner cupboard, and looked through
the glass door.
The stone
horse was still there. She had been half afraid that Nan might have moved it,
but it seemed Nan trusted her to keep her promise. Tamzin felt a pang of guilt.
Deep down she knew it was wrong of her to break her word. Then the guilt faded.
What harm could there be in just holding the stone horse for a minute? She
would look at it more closely, then put it carefully back, and Nan would never
know that she had touched it.
The cupboard
door wasn’t locked, but it was very stiff, as if it hadn’t been
opened for a long time. When Tamzin finally managed to jerk it open, the whole
cupboard rocked. The little horse teetered, too—then suddenly it tipped
right over.
`Oh, no!’ Tamzin
made a desperate grab for the statue as it started to fall from its shelf.
For one awful moment she thought it was going to slip through her fingers and
crash to the floor, but at the last instant her hands seemed to close of their
own accord, and the statue was safely caught. She breathed a vast sigh of relief,
then, as her pulse slowed down after the panic, she looked closely at her prize.
The horse was made
of a granite-grey stone, and it wasn’t at all beautiful. In fact, she
thought, it was ugly, with its heavy head, ears laid flat back and savage expression.
It looked... what? Tamzin fumbled for the word she wanted, and found it at
last. It looked cruel.
She
turned the statue over, and saw that some words had been carved on its base.
`Gweetho
An Men Ma...’ She murmured them to herself. Whatever did they mean?
They were not like any language she had ever seen, and she could make no sense
of them.
A cold shiver
went through Tamzin. Something about the stone horse was making her skin crawl.
Why had she been fascinated with it—so fascinated that she had been ready
to break her promise to Nan? All those feelings had suddenly winked away into
nothing, leaving a sense of dread in their place. She didn’t want to
touch the statue any more. She didn’t want anything to do with it. She
just wanted to put it back, and try to forget that she had ever set eyes on
it.
She turned
quickly back to the cupboard, stretching up to the shelf—and the stone
horse movedin her grasp.
Tamzin gave
a cry of shock, and jerked her hands up. She didn’t mean to fling the
statue away from her but she couldn’t help it. In an awful frozen moment
she saw it spinning in the air, and she knewwhat was going to happen.
The statue
hit the floor and shattered into pieces. As it broke, Tamzin had a second shock—for
a chilly light flickered through the room, and she seemed to hear an eerie,
bell-like sound that was almost like a horse neighing shrilly. She stood frozen,
staring down in horror at the smashed statue. The light and the sound had gone
in an instant, but she was certain she hadn’t imagined them. What did
they mean? What had she done…?